Review The Last Duel
Written on: Februarie 20, 2022
Title : Review The Last Duel
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Review The Last Duel
Review The Last Duel
The Last Duel is based on the non-fiction book The Last Duel: A True Story of Trial by Combat in Medieval France by Eric Jager. The setting is 1386, but this is not a reminder of the past, but a slap in the face, that compared to six centuries ago, the way society deals with rape cases, including the definition of it, has not experienced significant development.
Before diving into the issue, one thing that immediately caught my attention was the artistic arrangement. The production design gave birth to a medieval, which we see less and less often, in an era where medieval were nearing extinction (a situation that is understandable given The Last Duel's).
Nicole Holofcener's script with Matt Damon and Ben Affleck, who has returned to a writing duet since Good Will Hunting (1997), appears like Rashomon (1950), dividing the story into three chapters, in order to cultivate the concept of "perspective". But unlike Akira Kurosawa's work, here the audience is told which is the real truth.
The three main characters are Jean de Carrouges (Matt Damon), Jacques le Gris (Adam Driver), and Marguerite de Carrouges (Jodie Comer). Often going to war together, Jean and Jacques are good friends. At least until the difference in fate stretched the two. Jacques's career is booming after becoming a confidant of Count Pierre (Ben Affleck), on the other hand, Jean is entangled in financial problems.
The conflict escalated after Marguerite, Jean's wife, admitted to being raped by Jacques. Through three acts, each of which highlights the point of view of the three characters, we are led to explore the truth. Is it true that Jacques raped Marguerite?
If Rashomon looks at the relativity of truth through the absence of definite answers, then The Last Duel opposite. All versions are the truth, separated by different points of view created by misogyny. For one character, rape doesn't happen because that's what he believes. In the eyes of other characters, he is defending the dignity of women, because that's what's in his head. No lies. There is only stupidity.
Isn't the same thing still happening today? Men feel that they have raised women even though they are actually lowering them. In the realm of sexuality, men override consent, turning a blind eye to refusal with the assumption "He wants to but is shy", or "it is the wife's duty to serve her husband". As a result, the real question is not "Was there rape?", but, "How many rapes were there?".
All of the above, plus the misuse of the religious side that lightens the perpetrators as well as burdens the victims, presents a parallel with the current era. It is outrageous when modern humans like us still behave like them, who lived when rape was seen as a crime against husbands as "property owners".
The manuscript does not just divide rounds. Who is first, second, and third, has a purpose. Not only for the sake of twist, also conveys that we must always trust the victim first. Each round also appeared effective thanks to the strong acting of the players. Comer, Damon, and Driver make a difference to their respective characters, depending on how the "actors" view their characters.
One of the best examples is when Jacques suddenly visited Marguerite. Comer and Driver perform two interactions containing more or less the same line of sentences, but with different handling of each character. The changes are subtle but sure.
title The Last Duel refers to Jean's challenge to Jacques to duel to the death as a form of official trial, which is judicial duel in history (there were duels until 1547, but not in the context of a legal trial). The film contains several bloody battle sequences, which proves Ridley Scott's skill at directing the genre, but the "final duel" is the most intense.
Because there we are emotionally involved. Not to two men who are physically fighting, but to a woman whose inner heart is in turmoil, when her wounds are actually used as a means of proving masculinity. It's like double standard activists, who rather than
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